Workshop Rejects – Take Two

The first round of rejects can be seen here.  Now I'm showing you even more project rejects, but it's the last set before the big reveal (are you excited yet!?)  These images come from a workshop I took in July with Spencer Lum.  It was gruelling and exciting and I'm proud of the work I produced.  Hope you like this second set of losers.  You can skip ahead to the full set of finalized projects if you like, or you could be held in suspense a while longer. These images are all from the Jay Street Subway in Brooklyn, a block from the guest house I was staying at.  I found this subway station immensely beautiful, and spent two days focused on taking pictures there.  These images are those I love but ultimately didn't fit into the flow of the project. street photography at jay street subway in brooklyn brooklyn street photography new york city street photography street photography at brooklyn subway stop street photography at a subway entrance new york city street photography workshop street photography in new york city

The amount of money spent on a wedding is not directly proportional to its awesomeness

Well, it's officially a trend with me.  Someone pisses me off, and I come online to tell everybody how I feel.  Today's targets are newbie photographers who complain that their work isn't good because they're not photographing "wealthy" clients,  dropping lots of coin on their weddings.  And that, my friends, is ridiculous. But let's forget the photographers for a minute, because I want to speak to a more general audience.  The wedding industry is, let's face it, pretty seriously evil.  At every turn, The Knot or whatever other incarnation of the "wedding experts" is telling you to buy more stuff and buy it now - you're behind!  The whole wedding will be a disaster if you don't have napkin rings!  How can you possibly not have hired a calligrapher yet!? I've seen a lot of weddings at this point, both with my own clients and in my experiences assisting other photographers.  I've worked very "high-end" weddings (Building Museum, anyone?) and much less expensive weddings.  And I can tell you right now that the amount of money you spend on your wedding has very little to do with its awesomeness.  I assisted at a wedding where the bride's mother was so stressed about everything going off perfectly (after all, they had spent a fortune on the event) that she barely spoke to anyone other than the planners and catering manager.  And I've seen low-key weddings filled with more joy and love and sweetness than any photographer could hope for.  And vice versa. And okay, maybe it's my niche.  My clients don't tend to spend big on decor, but they do drop coin on food.  They don't tend to have huge bridal parties, but still manage to fill their getting-ready hotel rooms with friends and family.  They get married in back yards and churches and hotels and vineyards and historic mansions and campgrounds - in other words, all over the place, at a huge range of venue prices - but they hire me to capture the spirit of their day.  I am, at heart, a documentary photographer.  I'm not going to spend ages photographing the details - there's much more important thing to capture, like people.  If you are primarily an editorial photographer, then I do suppose I could see how richer might equal better.  But, frankly, that seems really sad to me.  And backward.  And makes me really glad I focus on people and moments and emotions.  When wedding vendors stress stuff ("details") over everything else, I find it immensely depressing. The point is, the amount of money you spend on your wedding is not the determining factor in how awesome it is.  I could rattle off the things I don't think you should skimp out on, but that's beside the point.  You and your friends and family bring the awesome, regardless of the setting.  Getting all those folks together is enough, full stop.  Is this blasphemy from a wedding photographer?  Yeah, maybe.  But here's the rub.  I don't get hired by folks that don't care about wedding photography.  I don't get hired by the couple that figures they "just" need a wedding photographer, so they go with whoever.  I feel very fortunate that the folks who hire me are deeply invested in what their wedding photos look like.  It gives me great joy to exceed their expectations. So let me roll on back to the photographers for a minute.  The new photographers who think their images are no good because they're not shooting at the Ritz.  First, it is our job to make a wedding look great.  This is easier in some situations than others, but is no less true in a church basement than at the Four Seasons.  I'm going to go ahead and paraphrase Jasmine Star here, who said to shoot T-Ball weddings like the World Series.  And the fact of the matter is that if you can't make a church basement look good, you're going to have a hell of a time at the Four Seasons, too.  And here's one more quote, which I said, earlier today, in a forum where this subject came up and pissed me off and sent me to my own "make new post" page:

Treat your clients and their weddings with compassion, and it will show in your work.

If you can do this, you will have happy clients.  Respect, value and show compassion to your clients - regardless of what they've spent on their wedding - and you will produce better work. And PS: if this resonates with you, go check out A Practical Wedding.  It's a very active blog that talks about weddings in a way that almost no other wedding blog does - honestly, without a lot of frou-frou nonsense, and tackles the hard subjects.

Workshop Rejects – take one

Back in July, I had the opportunity to take part in Spencer Lum's "I Will Make You Suffer" photography workshop.  I really had no idea what it was going in.  Spencer is one of my favorite writers in the wedding industry, so when he announced the workshop, I signed up without reading any of the fine print.  Turns out I had agreed to a four-day personal project intensive.  And intense is exactly what it was: four brutal days of constant shooting, with two critiques each day.  That means TWICE a day, you had to bring in new material to be torn apart. What I'm showing here is a selection of some of the images that were not selected to be part of my project.  But I still love them and even if I killed my babies in critique, this is my blog and I can revive them.  All of these images are from the first two days of shooting - when I was wandering the streets and thinking I would be doing a general New York City street project.  It was really good to be shooting street, and to be shooting it for hours on end, regardless of how much my feet hurt.  I claim to be a street photographer but the truth is I don't spend that much time going out to do street.  It's intimidating.  But having four hours to get something good to show in critique really pushes you to go for it.  These are some of my favorite images from the first part of the workshop. I'll be posting my final workshop images two blog posts on this subject from now.  But if you want to cut right to the chase, you can hop over to Spencer's post on the workshop.